AMBIENT ELECTRO-JAZZ SYNTH PROG COSMIC IMPROV
Enter your name and email address below and you'll receive Daniel Biro's solo keyboard album
'Synthrospections 2 - The Waters Below' FREE!
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AMBIENT ELECTRO-JAZZ SYNTH PROG COSMIC IMPROV
Enter your name and email address below and you'll receive Daniel Biro's solo keyboard album
'Synthrospections 2 - The Waters Below' FREE!
By submitting this form you agree to receive occasional emails from Daniel Biro Music.
We never spam or misuse your info.
Unsubscribe at any time.
A true world citizen, Daniel Biro grew up absorbing a diversity of cultures and languages (Italy, France, UK, etc). Daniel has released over 20 albums on the Sargasso label. Recent releases include his series of ten 'Synthrospections' albums from his solo livestream performances, a solo-synth album 'Hotel Erika' and a songwriting collaboration with Camel bass-player/vocalist Colin Bass.
With a passion for the Rhodes electric piano, analogue synths and hooked on all things electronic, Daniel’s sound is a unique combination of his early influences (70s jazz-fusion, Berlin-style cosmic synths, ECM label-style jazz, prog) as well as more experimental ambient electronic minimalism. The result is a multi-layered, multi-cultural exploration of emotional and spiritual complexities. A sonic magic-realism.
By joining Daniel's private Music Lounge you will get a FREE digital album: 'Synthrospections 2 - The Waters Below'. This is No2 in a series of 10 solo keyboard live performances.
To get the album just fill in your Name and Email above to join Daniel's exclusive Music Lounge (latest news, live events access, pre-release special offers, discussion and more).
"Daniel Biro’s musical wizardry amalgamates complex layers of sonic tessellations and gravity-defying textures into confections of pure elegance. This is ambient music as it should be, immanent and transcendent, yet revelatory. It’s simply sublime.”
“The elegance, mystery, joy, and melancholy, heard in these pieces, combine into one monumental, multifaceted project that may just be one of the twenty-first century’s greatest artistic commitment’s to the sound and use of vintage keyboards.”
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